Collection: Kathleen Kane-Murrell
About the Artist
Through color, texture, and high touch surfaces, Kane-Murrell’s work focuses on an abstract response to the human experience. She often uses classroom detritus in her mixed media work.
Her lifelong interest in art, education, and the creative process has nurtured three careers. After graduating with a degree in marketing from San Diego State University, she worked as a corporate trainer and manager. In 1990, she translated corporate skills into an award- winning children’s art program, Fine Artists™.
Kane-Murrell’s professional art career began in 2007. She has exhibited throughout San Diego and Southern California, including solo shows in Liberty Station, Ray Street Arts District, Japanese Friendship Garden Museum, and Sophie’s Gallery. She has juried in the Oceanside Museum of Art, Cannon Gallery, San Diego Art Institute and La Jolla Athenaeum. Her work is in personal collections throughout the United States, Japan, and Singapore.
“My work is abstractly narrative. I aim between spontaneous and controlled. Influences include art history, travel, music, and literature. Patinas of layered mark-making reflect my perception of light, color, and sound. When a viewer reaches to touch my work to understand what is seen, I have achieved an elusive goal.”
Her lifelong interest in art, education, and the creative process has nurtured three careers. After graduating with a degree in marketing from San Diego State University, she worked as a corporate trainer and manager. In 1990, she translated corporate skills into an award- winning children’s art program, Fine Artists™.
Kane-Murrell’s professional art career began in 2007. She has exhibited throughout San Diego and Southern California, including solo shows in Liberty Station, Ray Street Arts District, Japanese Friendship Garden Museum, and Sophie’s Gallery. She has juried in the Oceanside Museum of Art, Cannon Gallery, San Diego Art Institute and La Jolla Athenaeum. Her work is in personal collections throughout the United States, Japan, and Singapore.
“My work is abstractly narrative. I aim between spontaneous and controlled. Influences include art history, travel, music, and literature. Patinas of layered mark-making reflect my perception of light, color, and sound. When a viewer reaches to touch my work to understand what is seen, I have achieved an elusive goal.”
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Curiously Different
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Chanticleer
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Catching Sunlight
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Bound to California
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Band of Mothers
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American Ginkgo
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Remember Joy
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Midnight Tacos
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Let Me Count The Ways
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Hide and Reveal
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Crevice Moss
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Canyon, Spring
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Circuitous
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Talking to the Crescent Moon
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Skybox, Murmuration Noon
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Skybox, Murmuration Night
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Follow Her Lead
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We Three (triptych)
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