Slipped works embrace craft and its practicality while balancing intimate engagements in adornment. The goal is to create pieces that provide a utilitarian role while harboring the user’s individuality. While asymmetry and geometric patterns play important roles in Chelsea’s practice, she utilizes techniques that emphasize the basic principles and elements of design to add visual complexity to the work. Her process is seldom a direct line from concept to completion where she typically works intuitively, allowing an organic and symbiotic relationship between object and maker.